I have finally reached my 100th post! Things have really changes since I started ‘View From My Attic’ at the beginning of my internship, and I have done so many fab things! To celebrate this achievement I thought I would do and … Continue reading
With all the huge projects we have had happening at Hardwick this summer it is easy for the little things to get glossed over, however the little things are so important as well. Our weekly clean on a Monday, daily cleans on Wednesdays to Sundays, checking for pests, monitoring environmental conditions, managing volunteers, talking to visitors and millions more tasks still have to happen even when we are preoccupied by opening exhibitions or installing art work!
We have achieved an amazing amount this season aside from all the bigger things I have been blogging about. So hear are some of the smaller tasks I have been doing recently.
We finished the Annual Deep Clean!
A big deal that unfortunately we were too busy to really celebrate. In contrast, we didn’t get our Deep Clean finished last year before we closed at the end of the season so this is an amazing achievement for the team. Thanks to good planning and our wonderful team of staff and volunteers we got a huge amount of the Deep Clean finished over the closed season, and we have kept up the momentum until we had checked everything on our list off!
We’re half way through our summer works program!
The ‘summer works’ are the conservation cleaning tasks that happen several times a year, not just once in the Deep Clean. Things like cleaning bed flats and chairs that get too much dust landing on them for us to leave them. We split all our summer works into the things that need to happen at the start of summer, and those which we won’t do until the summer ends and our visitors numbers drop. Thanks to the fact that we had already finished our Deep Clean it meant we could focus our effort on these task, and last week we finished the first half of our list.
One of my personal projects has been to revitalise the Hardwick Bits Box. I did a similar project at Powis, however this was a much bigger undertaking! Where Powis’ Bits were already in organised boxes, the Hardwick’s Bits Boxes were two huge crates full of years of bits! So my job involved going through the bits, cataloging every one, writing labels for each and putting them in a bag, putting these bags into location specific boxes. Believe me when I say, there are only so many ways you can describe a broken piece of wood!
The new and improved bits box system allows the bits to be easily identified if ever there comes a time when we have a conservator in who could re-attach some for us. As a result of my work several bits have already been returned when we had our furniture conservator here for one of our big projects. Now I have overhauled the system hopefully it shouldn’t get in that state again, so I have helped out the future Conservation Assistants of Hardwick Hall (you’re welcome! 😛 )The final part of this task is for me to just finish typing up all the bits records, all 340-odd of them!
Felting the Still Room.
A small task that has needed doing for a while was to put pieces of felt underneath the objects that have been added to the still room. If you have even noticed when you go around Trust properties, often objects that sit on pieces of furniture have a layer of something between the two. This protects not only the surface an objects sits on, but also the base of the object.
The protective layer can be several things, felt or cork pieces, and type of foam called plasterzote or a thin type of clear plastic like laminate. I chose to use beige felt for the Still Room as it blends nicely with the paint colour of the surfaces. For most of the objects it was just a case of cutting circles that fit the base closely so the visual effect is not spoiled. The only tricky part was when it came to cutting the felt for the fish shaped mould!
More 50 things!
Last summer we decided to adapt the ’50 things to do before you’re 11 and 3/4′ so that we could bring some of the activities into the Hall. This year we decided to do the same, but not to make things easy for ourselves we wanted to chose different activities so any children visiting us again would get a new experience. I love this idea, and anything that gets us to look at how people interact with the Hall differently! We have barefoot walks on our lovely new matting in the High Great Chamber (something I love to do), caves to explore, dens to be built, birds to be spotted, and my personal favourite ‘catch a falling leaf’. Each leaf has an interesting Hardwick fact written on to be discovered, which I really enjoyed writing as I learnt something new as well! This particular ‘thing’ was a real team effort with the original idea coming from Sadie, me researching the facts, Jen practicallising the idea and writing the facts onto the leaves and Claire going over the words in black pen. The finished product almost looks like a work of art!
So there we go, just some of the other wonderful things that have been keeping me occupied. But don’t think that just because these are all now finished I shall be sitting on my bottom eating cake (that only happens at tea break, honest!) we have so many other projects in various staged of fruition at Hardwick, getting these done just frees up my time for me to get stuck into the next task! Nothing beats the satisfaction of getting thing done!
It has been a very exciting (and busy!) couple of weeks at Hardwick as we have been getting ready to open a new exhibition highlighting our ‘Great Hanging’ embroideries. Many, many months ago (three years actually) the first of the Great Hangings went away to Blickling Conservation Studios for conservation work. This is the start of a long-term conservation project for Hardwick. The Blickling Textile Conservation Studio Blog has lots of interesting info and nice pics of the conservation work they did on Penelope.
Eventually all four beautiful works of this set will be displayed in the Hall in a new exhibition that is being created specifically for this project. They are going to be displayed in the Butler’s Pantry, that used to house an introductory exhibition about Hardwick Estate. The past couple of weeks we have been focusing in installing Penelope in this space and getting it ready to open to the public.
I was not working at Hardwick when Penelope went away for conservation, but remember seeing the hanging on display in their screens in the Entrance Hall. Duchess Evelyn placed the embroideries in these screens, where previously they had been displayed on giant A-Frames, and prior to that hung on walls. Now it has reached the point where these virtuous ladies really need some TLC.
Penelope returned to Hardwick at the beginning of the month, and we brought her into the newly refurbished Butler’s Pantry to await the arrival of her custom-made display case. The vision for the Butler’s Pantry has been to turn it into a really absorbing gallery space where your attention is focused solely in Penelope and eventually the rest of the Great Hangings.
The Great Hangings were created by Bess out of clerical vestments her husbands collected from their involvement in the dissolution of the monasteries. Originally there were five hangings, each featuring a strong woman from history or mythology that Bess admired. The five women originally featured in the five hangings were Penelope, Lucretia, Artemisia, Zenobia and Cleopatra. I love that Bess herself has now joined the ranks of these women, and is a role model to others as these five were to her!
Penelope was the wife of Odysseus (also knows as Ulysses). It took Odysseus 10 years to return from the Trojan War, all the while Penelope waited for his return, not knowing if he was alive or dead. During this time she was harangued by many suitors wanting her hand in marriage. She told the suitors that she would marry once she had finished weaving a shroud for her father-in-law. So every day Penelope sat at her loom and carried on her weaving, and every night when she was alone she un-wove the work she has just done so the task would never be completed. Eventually Odysseus did return and rid his home of the suitors that had been taking advantage of his lands and possessions for too long, and he and Penelope were joyfully reunited!
Penelope is depicted alongside Patients and Perseverance on our hanging, two virtues she definitely displayed and that Bess must have admired. The tapestries hanging in the High Great Chamber also depict Penelope as the follow the story of Odysseus (Ulysses) returning from Troy. I studied the Odyssey at A-Level and think it is a really interesting story full of myth and magic, fantastic creatures and plenty of danger! Worth a read if you enjoy mythology and adventure.
Her display case has been fitted with perspex panes as large as we could get them, so as to interfere with the piece as little as possible. It has also been chosen to reduce and reflections so visitors can see Penelope clearly. It works really well and you barely notice it is there, I just hope we don’t get sticky fingers touching it as removing fingerprints off our display cases seems to be an endless job already (I don’t know how people in museums cope!).
As well as her custom-made display case Penelope has had state of the are LED lighting fitted overhead, set specially to pick out the wonderful colour that still remains in the piece. Each embroidery is made a church vestments, this mean each piece of the image is made from the most fantastic fabrics, velvet and brocades covered in gold and silver threads and spangles! I have been doing a detailed condition check of the piece and keep getting distracted by the way the detail had been created, there is so much to see!
I am so pleased to have been involved with this project, in the small way I have been, and so proud of the team for creating a stunning exhibition fitting for such a work of art, and I am in no doubt that Penelope and Bess would have been very pleased with the result! The exhibition officially opened 18th June so if you can come and have a look for yourselves!
The next Great Hanging to head to Norfolk is Lucretia. Lucretia’s story does not have the happy ending Penelope’s does, but luckily the embroidery will have a happy ending and return to us as beautiful as the first now looks! Having seen Penelope’s transformation I cannot wait to see the four virtuous ladies on display, conserved and looking fab. However that is some way off yet so I will have to follow Penelope’s example and be patient.
Sorry for the lack of recent posting, I went away on holiday a couple of weeks ago to Germany and feel like I have been playing catch up ever since. As I have some free time now I thought I … Continue reading
After a slight hiatus over the last couple of weeks to send Gideon on his way we have jumped right back in to our Deep Cleaning. We are getting along with it so well I couldn’t be more pleased, and … Continue reading
Or should I say ‘see you later’! We have just sent the next one of our Gideon tapestries away from conversation!
The Gideon tapestries projects has been on-going for years and I was lucky enough to help re-hang the last two Gideons that returned from conservation in May. Even though this was the first time I had taken down a Gideon the team are more than well-practiced so we were in safe hands.
The tapestry we were taking down this time is in the worst repair of the three that remain to be conserved, which is why we decided it needed to be the next to go. The closer we looked at the tapestry, the worse the damage is!
As this tapestry is one of the three largest in the property we had to re-think about how to approach handling such a massive weight. It was decided to help us this time round fixed scaffolding would be hired to cope with the weight of the tapestry, which was going to be a new experience for us (It was odd climbing a different scaffold that was so sturdy it barely moved at all!).
The first thing the Textile Conservators did we remove the bottom border of the tapestry. All the tapestries are woven in three pieces, with the top and bottom borders being separate. The bottom border is in the worst repair, having taken most of the wear and tear and the most dirt. Taking off the bottom border makes it easier to roll the tapestry later, and makes it a little bit lighter.
The tapestry had to be rolled onto a drain pipe so our carpenters built a brilliant little track for us. We had a trolley that the drain pipe stood upright on and this ran along the wooden track set at the base of the wall. This partnered with the fixed scaffold with three levels on made rolling the tapestry easier for us.
There were three levels to our scaffold, we had four people on each helping roll and another four or so at the bottom pushing the trolley and rolling the very bottom of the tapestry onto the drain pipe. It true when they say ‘many hands make light work’!
Starting at the side nearest the fireplace velcro was tacked to the lining of the tapestry and this was fixed to the velcro on the drain pipe. We then ran the trolley along the track, rolling the Gideon smoothly onto the pipe as we went. Once it we rolled on to the drain pipe the whole thing had to be lowered.
Thanks to the ingenious design of the trolley the pipe was on a hinged piece to make lowering it much easier. Two straps were tied around the roll and used to slowly lover the roll down to the ground. This had to be done very carefully to make sure we did not squash anyone standing below waiting to receive! A good test of my knot tying ability and it certainly flexed our muscles too.
The planning that has gone into this event, based on the previous tapestry removals, made the whole process very smooth and quite quick, once we started it took us about half an hour to roll and lower the tapestry. Then the textile conservators took the newest backing fabric off in the Long Gallery, and found an awful lot of detritus behind it!
After they had finished they rolled the tapestry onto a second drain pipe (without velcro on), padding it with wadding and acid free tissue as they rolled it. This mean the tapestry was properly protected and ready for transport the next day. It’s first stop will be the Textile Studios at Blickling Hall, where it will be made ready for being washed.
Our Gideon tapestries are sent to Belgium to be washed, not far from Oudenaarde where they were originally woven. They are sent here because it is the only workshop with tanks large enough to wash our tapestries flat. They tell us we have the dirtiest tapestries in Europe! (But to be fair they haven’t been washed in over 400 years!).
After washing the tapestry will be sent back to the Blickling Studio where the Textile Conservators will work on it, and then it will be returned to Hardwick in about 2 and a half years time! It will be absolutely amazing to see the whole set after they have all been conserved , but that is still several years away!
We have opened our doors to the public again, but it doesn’t seem very long since we closed after Christmas! However, getting the house ready for the public made me realise just how much our team has achieves over since … Continue reading
This Saturday Hardwick Hall will open to the public for 2014, and the pressure is on for us Chaps to put everything back in place and make sure it’s all picture perfect again! Along with a new season we have … Continue reading
I have just been lucky enough to go on a little holiday full of a lot of learning; the National Trust Housekeeping Study Day. This four-day course covers all the basics about conservation and care of collections to give us … Continue reading
As soon as we were back at work we were straight back into our Deep Clean, finishing the top floor and moving into the Entrance Hall. However we’re not just thinking about the closed season, we have already begun preparing … Continue reading