After our trip to Woolsthorpe Hall me and my friends spent the rest of the afternoon at Belton Hall. I have been meaning to visit Belton for a while, as they have just been through a National Trust project that we … Continue reading
Day two of my Trusty holiday started with a visit to the amazing Tyntesfield, a stunning property acquired by the National Trust in 2002.
The house is huge, with its very own church attached too so on wet days (like when we visited) you don’t even have to step outside.
The house was redesigned and expanded in 1863 by William Gibbs and his architect John Norton. Done in High Victorian Gothic style the exterior lets you know you are in for a treat. Even the roof tiles have pretty patterns in them, a theme that runs right through the house.
There are lost of lovely buildings on the site, some now visitor buildings, but several are now Holiday Cottages, another location added to my dream destination list.
The house is open by timed tickets, each of which features a member of the family for you to learn about before visiting their house. I though this was a lovely touch. Upon entering the house (after a bit of gawking at the gorgeous exterior) you are given a floor plan. I do like a good floor plan and you get a sense of the size and complexity from the leaflet.
On the ground floor there is a real sense that you can explore the property. The highly decorated floors are protected with Eyemats (a brilliant invention for the heritage industry of which I am rather jealous, we’d love some at Hardwick).
The ground floor rooms are large and you can get some way in, making them feel more accessible and not like you are confined to one little strip. The library has a nice cosy feel to it, even though it was a large room you could picture a family spending time there together (William Gibbs and his wife Matilda had seven children).
The Drawing Room had a piece of modern art at the far end. meaning there is now a route all the way to the back of the room. Although I didn’t ‘get’ the art I did enjoy going right through the room and getting closer than I would have to some of the really interesting looking objects there, and fab wallpaper!
There is a wonderful example of Victorian Gothic furniture in the Organ Room in the form of the most over-the-top desk I have ever seen, I loved it!
The Billiard Room was interesting as here they talked about the family connection with the slave trade, and I really admired that they did not shy away from this difficult part of the house’s history. The Gibbs family made their money trading in Guano (bird poop) from South Africa and while they did not have any slaves the trade itself relied heavily on indentured Chinese workers and conditions were poor.
One room I had to say I disliked however was the Boudoir on the ground floor. all the furniture in the room was covered in dust sheets and there was a photo of the rooms as it had been. The interpretation in the room tells us that none of the furniture in the photo is still in the collection today and this is why the furniture is covered. The beautiful wooden paneling still remains and this appears to be the intended focus.
What I don’t understand is why cover the furniture? Either remove it from the space if it doesn’t fit the story you are trying to tell, or just tell me the furniture wasn’t here, but let me look at it anyway. Walking into a room of completely covered furniture all shoved to one side is really un-interesting, in my opinion.
Before heading upstairs we went into the Butler’s Pantry where Mum has a go at polishing some silver.
The Hall is an amazing space, you can imagine it being the center of the house, busy with people to-ing and fro-ing. There were albums of reproduced family photos out on one of the tables for visitors to flick through.
The staircase is very grand, and has beautiful paintings hug around all the way up. The Trust replaced the Victorian chenille carpet that was in tatters when they were readying the house, having an identical one commissioned to replace it.
The Carlton Room upstairs had this fantastic Jewelry Closet, such a beautiful piece of furniture and very opulent, not only having such an ornate piece for your jewelry but having enough jewelry to warrant it! The same room also boasted this little turret in the corner, perfect for snuggling up with a book in.
There was more beautiful furniture in the further rooms, like this lovely chair in the Failand Room and this child’s bed in one of the corridors.
As we passed the bedrooms we came to store rooms! I love how they were included as part of the visitor route, giving us a glimpse into the rest of the collection on display. I love going into other properties store rooms so it was a real treat for me. As we were there the House Team were bringing more items in from another room.
It says on the map that some rooms may be closed at various times for ongoing conservation, and there was a different between what we saw and the guidebook. It must be such an undertaking to take care of such a large property with so many rooms! And the smaller the room the more difficult it is to deep clean while it is open so I completely understand why they have to close some. It means that next time I go back I might see something different.
The final stop of our tour was the Chapel full of fantastic stained glass and beautiful crosses commemorating 14 members of the Gibbs family. Behind the altar at the far end is an amazing series of mosaics with really stunning colour drawing your eye in.
I love the architecture of the exterior of the church too, ornate and dramatic in the grounds. I would definitely go back to Tyntesfield, it is such an amazing property and I would love to explore the gardens and estate some more.