New blog post alert! All about volunteering.
I love Halloween, any excuse to dress up and eat sweets is a very good idea in my opinion! This year at Hardwick we the House Team wanted to work closely with the Community Engagement Team and make a really great offer across the whole estate for families over half term.
So a lot of trawling Pinterest later we had decorated two rooms in the Hall, and if you ask me they looked spook-tacular (he he)! We dressed to Duke’s Room and the Still Room, but unfortunately we had a bit of a disaster in the Duke’s Room when it flooded (more on that in another post). However before that point we had a lot of fun putting the rooms together and getting creative.
There were carved pumpkins in the Stableyard and spiders leading visitors through the gardens and house, potions brewing in the garden and Halloween crafts happening all week, which were a huge hit with the families. We were so busy, we had crowds of children making Halloween ghost puppets and spooky mobiles.
One of my colleagues did a fantastic job creating this picture of Mary Queen of Scotts, photo-shopped from the painting that hangs in our Long Gallery, the perfect spot for a spooky selfie!
I helped out with the crafts for a couple of days, which I really enjoyed and it took me back to my days of being a Cub Scout leader. When I was a Brownie evening where we were doing crafts like these were my favorite so it was really nice to help out with the kids activities and seeing them enjoying themselves, and my colleagues’ creativity and hard work paying off. It was also a good excuse to dust off my Halloween head-wear and wear horns and cat ears to work.
I spent the week before Halloween making decorations, haunted books and putting heads in jars. A few simple ideas from Pinterest but they all looked really effective! The slime was brilliant but I think the head in the jar was my favorite, and people’s reactions to it were perfect.
I spent Halloween night at Leeds Armouries, at their event ‘Night of the Living Dead’ which was so creative, and quite scary too! I decided to dress up as zombie butt-kicker Wichita, from ‘Zombieland’, basically an excuse to wear my new black boots and leather jacket, and was accompanied for the evening by a mad scientist, an escaped convict and a Kerry.
The event started in the evening, which meant we got to be in Leeds Royal Armouries after hours! The armouries is in a really nice area on the waterfront and it looked so pretty at night-time.
First off we were briefed in the War Cinema and suddenly a very fierce army lady came charging in shouting orders at us, I was scared already. Then we were taken on a walk through the War Gallery, which was unfortunately infested with the un-dead!
It stared off with one zombie here and one zombie there but soon enough they were popping out from behind every corner and jumping out behind us. I may have screamed, once or twice, but after getting out alive I kind of just wanted to go around again, it was so much fun!
After our ordeal we were treated to cocktails and special effects make up! I was really looking forward to this part and the make up artists were fab. All the zombies we had seen earlier had been very convincing and now it was my turn.
We all tried out a slightly different type of make up and then met up with my friend Sadie, who had been infected earlier and had been one of the zombies jumping out at us. I think she looks amazingly scary, I’ve never been happier to see someone covered in blood.
Once we were all zombie up we sat in for a screening of the original zombie movie ‘Night of the Living Dead’. I had never seen this one before and even though I don’t usually love black and white movies and it wasn’t what I expected, especially the ending, but I enjoyed it.
It was the first year Leeds Armouries had run such an event and I hope it’s not the last. I loved getting to be there in the dark and having such a different experience in a museum I have visited many times. It must have been a huge undertaking for them but I think the staff might have enjoyed it just as much as we did.
So all in all Halloween this year meant indulging in my favorite things, craft, creativity, heritage, zombie movies and spending time with my friends! Hope you all had a frightfully good Halloween, whatever you were doing!
I know it sounds like all I’ve been doing recently is gallivanting round Trust properties and not actually doing any work at my own but that’s not the case, I promise we have been as busy at Hardwick as ever.
We have totally finished the Deep Clean of the show rooms, with the Below Stairs rooms the last ones we tackled. We moved the huge wooden tree trunk that the mortar stands on in the corner of the kitchen, and found a bit of a mess underneath, mould, dust and a few creepy crawlies.
This is why it is so important we move objects every year, because who knows what could be happening underneath them! Luckily it wasn’t too difficult to get cleaned up and I kept it laying on its side to dry it out.
Meanwhile we have had quite a few guests over the past couple of weeks, film crews, authors and even the National Trust Council! While this meant a long day and late night for us it is always nice to get to show our property off, especially as we were stationed in the attics. I met some nice people and had some very interesting conversations.
We are also starting to get busier, and unfortunately the more visitors we have, the more incidences of wandering hands. One of our objects that gets touched the most is the coral bed in the Paved Room, because we don’t often have enough volunteers to man that room. I guess it’s just too tempting but every time someone does touch anything they leave a trace of oil from their fingers on it.
This oil builds up and will end up corroding metal, staining textiles and blemishing surfaces. Not to mention the physical damage that can be done to objects when people keep touching them! We try not to have too many notices reminding people not to touch but we decided we needed another one to protect this beautiful bed, especially while we’re busy.
Occasionally we have enthusiastic experts come to Hardwick to take a closer look at items in our collection. Sometimes this is very easily done, and sometimes accessing them is a little trickier. Recently we were asked for two pictures, and they just happened to be the ones at the top in the corner of the alcove.
Getting them down with a ladder was not as simple as we first though, so we took a different route and built our small scaffolding to get them back up again. Now we just have to wait to hear what conclusions the experts have come too.
The next visitors we had were a film crew from America filming a documentary about Arbella. They were very efficient to work with, getting all the filming done in one day. This included an interview with our resident Arbella expert, House and Collections Manager Nigel Wright. I’m looking forward to watching the DVD they promised to send. It’s quite a buzz to look at footage or photos and know that you were stood just out of shot observing and assisting with the whole process.
We had to change a light-bulb the other week, something that should not be a big deal, but in a big room really is! So we got out the big ladder and I went up to see if I could reach, but I couldn’t. Luckily for us we have a very tall colleague who was willing to come up and help us, and so the lights are back on in the High Great Chamber.
We have also have mirrors installed in the gardens to tie in with the Arbella exhibition we are running this year. The mirrors are in pretty ‘gilded’ frames and have quotes on them relating to Arbella’s life.
They work really well, sitting in the borders glinting in the sunlight and drawing people over to discover them. On a sunny day they look so lovely!
We also did a little spring cleaning of the Arbella exhibition inside; we cleaned the paintings currently on display in the High Great Chamber. Because these paintings are now displayed on a slight angle they gather a lot more dust than they did hanging on the walls of the Long Gallery.
We were just going to clean the frames, but while we were doing so noticed how dusty the canvases were, so we decided to clean them too. To do this we use a very soft, wide brush and gently brush the dust off the canvas into our hoovers.
Getting to the top of queen Elizabeth’s frame was a little tricky, we couldn’t get close enough on a ladder so Claire came up with the ingenious method up sneaking up behind her with a brush, while I directed her disembodied hand from the front.
I love that there are always new things to discover at Hardwick, and one beautifully sunny day one of our volunteers mentioned something about the Elizabethan drains. Me and Claire got very excited about this, we had never heard about these drains before, let alone that you can go in them! So we went on a little team trip to the building in the corner of the gardens to see them.
Hidden under a very heavy trap door is the entrance to the old drains, with one tunnel heading under the house, and the other down the hill towards the motorway. For this visit we just had a sneaky peek into the drains, which are brick-built and tall enough to walk in. We’ll save the actual exploration for another day perhaps. So many things still to be discovered!
Hope you’ve enjoyed this little update, proof that I am still working hard and not just swanning about the country visiting one Trust property after the other. Having said that the next few post are going to be about my visits to another few NT houses!
In recent weeks me and the Chaps at Hardwick have had the pleasure of doing an audit of our textile store. I love this store-room, I think it is one of the most interesting rooms on the property and having the opportunity to go through all the boxes and see the treasures inside has been fantastic!
All our show rooms get audited on an annual basis, usually when we are deep cleaning them. With the store rooms we do this less frequently because they are not often open to the public so likely to be subject to less change.
Auditing the textile store involved going through every box in the room systematically and making sure what should be in there was, and that it was still in good condition,
Luckily at Hardwick, thanks to many years of hard work before I arrived, the stores in the attics are very organised, including the textile store. Every box had a list of what should be inside, with useful little picture tags attached to it. These come in very handy when we want to find anything, because we can look at the tags first.
As so much work has been done in this room most of the boxes were as they should be, so it was really a case of recording and condition checking. This meant we got to have a good look at ll the beautiful and interesting textile pieces up there.
Once we have finished the audit we took the list we had written and will be checking it off against our online database. If you want to see some of the collection at Hardwick, or at any Trust property, then look on the National Trust Collections page. This is a great resource for further research, and just having a nosey at what properties have hidden in their collections.
I’m going to share with you some photos of the pieces I really liked. Some of them I don’t know anything about, I just thought they were really pretty! Others, like the one below, match items we have on display. This piece matched the embroidery we have on the Blue Bed. We know the embroidery taken off the original bed (dated 1629) and places on new, less damaged fabric by the 6th Duke in 1852.
These columns are all that is left of a 5th great hanging. They once belonged to a piece featuring Cleopatra, part of the set with Penelope, Lucretia, Artemisia and Zenobia that we have begun conserving. They are all that remains because the rest of the piece was used to patch up the first four embroideries!
Some things we have a large amount of, like these pieces of velvet and metal embroidered borders. We have 21 pieces of this in the textile store. It is believed that this border was purchased in Bess’ time, for a great amount of money, but it does not seem to have been used until the 19th century when it was cut into the lengths we see today.
We also have nine of these panels, all featuring a variety of birds on white and blue velvet on a heavy linen base. We were trying to work out what they once had been, as they were only mounted in this way in the 1970’s. Looking at them at first we though they could have all been one piece, however the circles in the corner do contain complete images and don’t line up with one another, so we decided that probably wasn’t the case.
Here we have sections from what would have been cushion covers. We have two of these, but neither is complete. The embroidery on them is fantastic, the time and patience that must have gone into these.
The piece below matches the hanging we have on the Entrance Hall Gallery. It contains fabric very similar to the flossy silks (in the Cut Velvet Dressing Room) as well as patterned velvet. I think these fabrics were placed together long after they were originally made and purchased. It is just the sort of thing that has happened constantly throughout Hardwick’s history.
We also have pieces that I’m not sure we’ll ever know for sure where they came from, including lots of little pieces of metal embroidery. Originally this little bird would have been very gold, but the thread has tarnished over time. It’s possible that these elements were purchased for projects that never got finished. Any one with a bit of a craft stash knows how easily that can happen!
The amount of textile items we have in that store is almost unbelievable, and so much of it is contemporary with Bess. We know she purchased textiles and parts of textiles for projects she was working on. She also had a team of embroiderers she worked with and she and Mary Queen of Scotts used to sit and sew together but the amount of items we have that she could have possibly worked on is phenomenal! Another thing to admire Bess for!
When visitors come into the attics they often ask why these objects are not on display but the truth is a lot of what is in our attics couldn’t be displayed, it’s too sensitive. A lot of the furniture doesn’t date from the period of time we are telling stories about, so wouldn’t fit in Hardwick today. And even if these things weren’t the case where would we put all of the stuff!? The Cavendish family had many properties to furnish, and a huge amount of that collection now resides at Hardwick. We have more tapestries that walls, more bits of textiles than we could ever have room to display, and more things like fire screens, mirrors and jugs than any human could ever possibly need!
That is why we like to open our attics up from time to time, so these objects can be seen and admired, as they should be. But also so people understand about why we make the decisions about the collection that we do. If you would like a chance to visit the attics we are currently opening them on Wednesdays up until the beginning of the school holidays. Check the Hardwick Hall website for more information.
Throughout spring the House Team have been busy Deep Cleaning the Middle Floor, and many of our visitors have been able to see just exactly what it takes to care for a collection like ours!
The Deep Clean begins in November and is carried out over most of the year, with a few other projects and distractions in between, but this year we have got through it in record time!
A ‘Deep Clean’ as opposed to a daily or weekly clean, means almost every item in the rooms will get some TLC, starting at the top and working our way down to the floor. This is a really good opportunity for staff and volunteers to check the condition of all of our objects, making sure nothing has deteriorated over the year.
We also get the opportunity to clean items that can only be cleaned once a year, like fragile textiles or gilded furniture. These are the items on which we can really see the year’s dust build up!
On the top floor our Deep Clean requires a scaffold tower, but on the Middle Floor as it’s not so tall we can get away with just using our tall ladder.
It was a little tricky in some of the smaller rooms to fit us and our equipment in and move the furniture around us, but we managed. One of the smallest rooms we have to clean is the Cut Velvet Dressing Room. Going up the ladder in here means we get up close with the painting that hang at the top of the room, which are seldom spotted from the visitor route. We also see the little details, like the ‘ES’ monogram on the carving over the window.
The ceramics in the Cut Velvet Bedroom were particularly dirty this year, so we decided to wash them as well as dust them. However this requires a little more delicacy that I would use to wash the dishes at home.
When we wash ceramics we use only a very tiny amount of water, with one small drop of sensitive washing up liquid in. We apply the water with a cotton bud, working in tiny circles to remove the grime. It is a very effective method and the results afterwards were sparkling!
It’s always great to get a closer look at the objects in the collections, not just to give them a through condition check but also because we often notice things we have never seen before. This year when I uncovered one of the chairs in the Drawing Room to clean underneath it we noticed that the chair itself actually reclines!
We have been told by one of our Oral History interviewees that this was Duchess Evelyn’s favourite chair to sit and sew in, and maybe that was why.
Another thing I had never noticed before in the Drawing Room was the Cavendish serpents on the lead windows. I’ve not spotted these in any other rooms yet, but I could just be looking straight through them to the lovely view outside!
The frame of Duchess Evelyn’s portrait was also particularly dusty, with a lovely arrangement of cobwebs on. Because the frame is gilded we can only clean it once a year, any more and we would risk wearing away the fine top layer of gold. Because of this, when we do get to clean it, it is always a very satisfying job!
I also got the opportunity this year to dust all the objects stored inside our beautiful Dutch Marquetry Cabinet. Most of the ceramics in this cabinet are Chinese including even a Ming dynasty piece, so I was very, very carefully when moving them.
In order to have both hands to work with while cleaning the ceramics I fashioned a ‘hoover holder’ out of a plastic box. It was not quite as neat as I hoped but it did the job and meant I had one hand to hold the brush, and the other to support the ceramic. Then I dusted the pieces with a pony hair paint brush, flicking the dust into the nozzle of the hoover.
It was an absolute pleasure to get to see the objects so up close because they are all so beautiful. They were made with such attention to detail by what must have been some very talented craftspeople.
So now the Middle Floor is finished!! And we only have one more room to Deep Clean and we will be finished until November. However, no rest for the wicked, we still have plenty of other jobs to be getting on with, Deep Cleaning store rooms, cleaning tapestries and getting through our Summer Works program as well, not to mention helping the house survive the summer holidays!
We have been working really hard to get ahead on the Deep Clean so we have plenty of time to install our exciting theme for this year! And thanks to our brilliant team we are doing really well, but that doesn’t mean we haven’t still had time to appreciate the beauty of the objects in the collection we care for.
There are so many instances when I just stop what I am doing, distracted by something I have never noticed before or a view that I want to try to take a photo of, like the chair back above. It is one of the most modern fabric in the Long Gallery but I just thought it looked so interesting looking down the back of the chair, and angle we don’t usually see when we’re open.
I love noticing this that we can’t usually see, like going up the ladder to dust the top of a tall cabinet. Once we had removed the dust we could see that it has a beautifully inlaid design.
Another great thing about the Deep Clean is getting to look inside the furniture we clean. We found this elaborate design on the underside of the lid of a chest in the Needlework passage.
Whilst we were cleaning the same area I spent a bit of time looking at the magnificent wine coolers that sit on the window sills in the passage. They often get a lot of comments from out visitors are they are quite unusual.
They are ceramic pieces with designs that show people drinking and being merry, with gilded are detail over the scenes.
It was only when I was dusting them that I realised what the figures on top of the lid were actually doing – they’re pressing grapes! The lid does remind me a little of the Schoner Brunnen, Beautiful Fountain, that I saw on my travels in Nuremburg.
On Wednesday last week it was museum selfie day and in between snow chaos and running around getting things done I manages to snap a quick pic with Arbella, the lady who will be the center of this years theme! The new interpretation has been arriving and key players have been moving around, it is all shaping up for opening in just over a week. While we have still got a HUGE amount to do I am so excited by what is already in place and can’t wait to see the finished product!
Although I imagine after a week of installing interpretation, uncovering everything we’ve deep cleaned, briefing volunteers and doing the final dust by the time we are ready to open we will all be fit to drop! What we are doing this year is quite different to anything that has been done at Hardwick before so we are all anxious that it goes well, but I have a great belief in the minds behind the plan, and the muscles putting it in place. I’m sure it is going to be fab!
I got to do something else very exciting, and very unusual this week. I was invited back to my university, The University of Worcester, to talk to the current Archaeology students about how I got my job in the heritage industry! I was so pleased to be asked, it is a huge compliment for your lecturers to look at you as an example of someone who has gone on to be successful. There were several of us Worcester graduates there, which made it a really nice little reunion and I got a chance to catch up with my lecturers as well.
For the most part we all had similar advice to give the students; work hard, volunteer and don’t be afraid to put yourself out there, seizing opportunities that come your way, or creating your own! If you want to know a little bit more about how I got to where I am today I wrote a blog post about it a while back: link here. Hopefully I will be able to go back next year and for many years after, talking about my career journey, wherever it takes me!
My Christmas was very busy this year, full of all the things I love; work, sweet things, crafts, family, friends and glitter! Here are a few highlights from my festive season! This year we spent even longer getting Hardwick Hall … Continue reading
In December I attended a three-day residential course all about planning and dealing with emergency situations. I had heard about this course when I was a LTV at Powis and it sounded really interesting and quite exciting so I was hoping to be able to attend it. Happily enough this year my wish came true!
The course focuses on creating an Emergency Salvage Plan for historic properties and heritage sites should something happen like a fire or a flood. We did a bit of knot tying, which took me back to my Scouting days, learnt about the different roles people would need to play in an emergency situation, had talks from the emergency services.
We were also taken through several practical exercises ,and newsflash, if your property floods you are going to get soggy shoes – at the very least!! The training was based in West Brom at a Fire Services Academy, complete with working ‘hot house’ which can be set to simulate a real fire situation.
On the first day we got to wear the full protective outfit and breathing apparatus that Fire Fighters wear in real situations. Wearing all this we went into the training house when it was full of smoke. It was so disorienting walking through rooms we had never been in before in almost total dark whilst being totally cut off from our surroundings by the protective clothing we were wearing.
I have such a huge respect for Fire Fighters and how they do their jobs under such incredibly difficult conditions! The Fire Fighters that were training us were very helpful, I felt all fingers and thumbs in the protective clothing but they helped us to kit up and made sure all our breathing apparatus was working.
The session I think will come in most useful for me was the objects first aid session. We were taught all about the most effective way to dry out wet items, to clean them if they can covered in soot or ash. It is much more likely that I would have to deal with drying out objects, with flooding potential from burst pipes or leaking roofs. Objects rescued from a fire situation would also most likely be wet from the fire services attempt to put out the fire.
Because of all of these reasons we were shown ways to turn every day objects into drying stations and wind tunnels. In a serious disaster where many objects were damp some could be frozen. This would keep them in stasis until you had the capacity to defrost and deal with drying them out. Space is very quickly taken up when drying out objects so freezing things may be the only option. I could see the situation quickly becoming too enormous a task to handle otherwise.
The practical scenario was a real eye opener, seeing just how quickly 20 people suddenly turned into there being no one around. Everyone got so busy so quickly! I was in charge of communication and welfare and spend the exercise running around making sure everyone was ok, that they had a break, that messages were getting passed on and no one was getting too stressed or cold.
The fire service did an amazing job in listening to what we needed, and getting the priority items out of the building. Then the salvage team were able to go in with the fire fighters after they had checked the building. Very quickly objects were coming out thick and fast and the team doing the first aid had their work cut out for them.
Documenting the objects was particularly challenging, especially as we didn’t know the collection which would obviously be different in our own properties. As the objects were coming out so quickly we often didn’t get chance to ask which rooms they came from, or if we did we lost track. This did cause a bit of an issue, but one that could be solved after the fact when all the objects were in the salvage area.
The exercise worked very well in showing us what the pit falls and challenges of a scenario could be, so we can try to be prepared. The course also made me see how well prepared Hardwick is, we have a very comprehensive Emergency Salvage Plan and carry out regular exercises with the local fire brigade. We are having a salvage exercise at Hardwick next month which I am very grateful for as I will get the opportunity to see Hardwick’s plan in action! Whilst I do now feel quite prepared should the worst happen, but it also makes me pray that I never need to put this particular training course into action!
November has been a very busy month, and when we have not been decorating for Christmas we have been getting stuck back in to our Deep Annual Clean! As with last year we have lots of other projects scheduled over the winter so getting all we need to done will be an interesting challenge. But in the mean time I have been enjoying having some time with the objects.
We start our Deep Clean on the top floor in the High Great Chamber where I have been cleaning the Farthingale Chairs. These chairs were supposedly designed so that ladies wearing Farthingale Petticoats, with large hoops underneath their skirts, could perch on them to rest between dances.
These chairs have stunning 16th Century embroidery on them, featuring flowers and insects. They match the Canopy I had the opportunity to clean last year.
As well as chairs we have stools and two throne chairs, which have really interesting scenes on them in beautiful gold-work.
To remove the dust I used a mixture of techniques. We use an adjustable suction ‘Museum-Vac’ with crevice tool attachment through bridal netting and using artists brushes as we were trained by the Textile Conservators last year. The brushes work better on certain areas because the can remove strands of clothing fibers that have landed on the velvet which would otherwise be left underneath the bridal netting.
I also used the brushes near the metallic embroidery, this removed the risk of the metal threads getting hooked on the bridal netting and pulled. However the bridal netting method is better for the rest embroidery, it is so delicate that the brushes could cause damage by removing any loose pieces.
I love the Deep Clean because we get a chance to really look at the objects we care for, and they are such amazing and beautiful objects. It is one of my favorite things about this job!
I have been really interested in all of the events commemorating the centenary of the First World War and was hoping I could contribute in some small way.
Hardwick has its own connection to the war in one of the members of the Cavendish family, affectionately known as ‘Lord John’.
We have Lord John’s suit of armour on display in the back of the Entrance Hall, and I had never really though about its history or the man who had owned it. With it being a suit of armour I didn’t even consider that it could have such a connection to the First World War. The two images, ‘knight in shining armour’ and ‘tommy in the trenches’, seem like they should be hundreds of years apart and not within the span of one man’s career.
Lord John was born on the 25th March 1875 to Emma Elizabeth Lascelles and Lieutenant-Colonel Lord Edward Cavendish, has was the youngest of their three sons.
As the youngest son John would not inherit the family property, or be expected to follow his father into politics, so he made the military his career. He joined the First Regiment of Life Guards, a Cavalry Regiment, on the 3rd February 1897.
He was part of the First Regiment of Life Guards and served with distinction in the South African Was, for which he was awarded a Distinguished Service Order in April 1901. When the Great War broke out in 1914 Lord John joined the British Expeditionary Forces and was deployed to France on the 16th August 1914.
Less than three months later on the 20th October 1914 Major Lord John Spencer Cavendish was killed in action.
An account of John’s death by an unknown soldier, dated 24th October 1914, who served alongside him recalls that John was killed instantly by German Maxim Machine Gun fire whilst leading a regiment trying to hold the line in the village. The account talks about how well liked John was, saying that he was so nice to work with, and how much his regiments would feel his loss.
After his death Lord John’s family received a huge number of letters of condolence, showing how well thought of he, and his family, were thought of. Lord John had a successful military career earning the respect of those he served with and recognition for his good service.
I started my search for information within Hardwick’s own information, then looking on Google (where else!) where I found a website that catalogs graves: http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=55956202
The Find A Grave website was really useful for getting the basic information and then using Ancestry.com, a brilliant site for this sort of research, I was able to flesh out the story a little more. I typed in the little bits of information I had found already and Ancestry recommended sources it thought matched, so helpful. I ended up finding several scanned images of primary sources which were absolutely fascinating!
Finally I contacted Chatsworth Archives to see if they could help me with any information about the actual circumstances of Lord John’s death. All I had up to this point was dates when things happened, but no details which was frustrating. I had though they would be too busy to help but they were really helpful and had a number of sources, including the account of Lord John’s I mentioned above.
I have really enjoyed doing this project and even though the story had a tragic end it was nice to know Lord John was so well though of, I have become rather fond of him! On monday I shall be remembering Major Lord John Spencer Cavendish and the men like him who served in the Great War for what they believed was right.
If you want to find some more information about the events taking place over the next four years or about the men who gave their live in the Great War I have included some links I found interesting and useful below.
First World War Centenary Information: www.gov.uk/government/topical-events/first-world-war-centenary
Lives of the First World War: www.livesofthefirstworldwar.org
Every Man Remembered: www.everymanremembered.org
Imperial War Museums: www.iwm.org.uk/corporate/projects-partnerships/first-world-war-centenary-partnership